Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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110,680 paintings total

  

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unknow artist
Sir Philip Sidney was still clean-shaven when he died of wounds incurred at the siege of Zutphen in 1586
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ID: 41392

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unknow artist Sir Philip Sidney was still clean-shaven when he died of wounds incurred at the siege of Zutphen in 1586


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unknow artist

  Related Paintings of unknow artist :. | Still life floral, all kinds of reality flowers oil painting 399 | Portrait de Louis Phelypeaux | Failure of Military Operation by Henri Decaisne | Rumi riding his mule as an Ottoman prelate swollen with pride,and Brought back to humility on seeing the dervish Shams | Portrait of Agostino Carlini; Francesco Bartolozzi; Giovanni Battista Cipriani |
Related Artists:
Eleanor e.manly
fl.1875-1898
George Hayward
1840-1870
Eric Ravilious
British Painter, ca.1903-1942 English painter, wood-engraver and designer. He was educated at Eastbourne School of Art and then at the Royal College of Art (1922-5), where he was taught by Paul Nash and became close friends with Edward Bawden. His early works included the refectory mural (destr. 1940) in Morley College, London, and wood-engravings in the tradition of Bewick for the Golden Cockerel, Curwen and Nonesuch presses. In the 1930s he began painting larger compositions in a wider range of colour, and this led him to use lithography for such illustrations as those for High Street. Ravilious also produced designs for Wedgwood, including the celebration mug (1936) for the coronation of King Edward VIII, which was withdrawn and revised for the coronations of George VI and Elizabeth II; the Alphabet mug (1937); the Afternoon Tea (1937), Travel (1938) and Garden Implements (1939) china sets; and the Boat Race Day cup (1938). He also designed glass for Stuart Crystal (1934), furniture for Dunbar Hay (1936) and graphic work for advertisements for London Transport and others. Despite his success as a designer, Ravilious concentrated increasingly on watercolours. His landscapes and rural interiors often featured the downland and coast of southern England; haunting and lyrical, these works show a world in suspense and often feature chalk hill figures, as in Train Landscape (c. 1939; Aberdeen, A.G.) and empty rooms.






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